In addition to Fresh Hell in Fits being released today, Steven Cerio is also now selling various originals from the comic directly from his website! Yes, now you have the chance to own original frames and pages from Fresh Hell in Fits: A Falsified History of The Residents!
Fresh Hell in Fits – A Falsified History of The Residents
Four years in the making , Fresh Hell in Fits – counterfeit tales and miraculous events – a falsified history of The Residents” is 40 pages of finely detailed visions of a singular world done in Cerio’s unmistakable style. This narrative comic records Cerio’s falsified retelling of the impossible evolution of performance art magnates The Residents. A bold and wildly inaccurate travel journal along an asynchronous timeline losing you perilously in a superstitious fog. All predicated on nary a single kernel of truth, this wandering evolutionary tale of a blinkless spirit trying to find the right body. A story influenced by the group’s early releases that inspired the artist as a teen in the suburbs of New York with their spirit of free adaption and fruitful exploration. “The spirit and the music were both so looming and beautiful…like open doors” said the artist in an interview with Seconds magazine.
Renaldo & The Loaf – Song of The Lungfish 12″ EP
Renaldo & The Loaf – Song of The Lungfish 12″ vinyl EP
Standard Black Vinyl – Limited to 100 copies, 24,99€ Collectors Edition, 2 color vinyl – Limited to 200 copies, 29,99€
Both editions come with a special insert and are hand-numbered.
The Residents are pleased to sponsor the release of nine 45 rpm demo songs recorded in the mid 1970s by long lost bluesman, Alvin Snow, aka Dyin’ Dog. Brought to their attention in 2016 by musician and colleague, Roland Sheehan, the group was amazed by the quality and intensity of these previously unheard recordings. Compelled by the passion of Snow’s performance, the band persuaded us at Psychofon Records to release all nine demos in a deluxe boxset and let Dyin’ Dog speak for himself.
Many of The Residents’ early musical influences – Bo Diddley, Bobby Blue Bland and Howlin’ Wolf among others – came from the American South, the Home of the Blues;
Consequently, the group often discussed a project based on this classic form, but an appropriate entry escaped them. The genre was compelling but simply reinterpreting the work of blues greats was too obvious, too straight forward, too lacking in inspiration – so they worked on other projects… and time passed…
Later, in 2013, the group was approached by filmmaker Don Hardy with the idea of creating a Residents’ documentary. The idea was intriguing; they felt a rapport with Hardy, plus they liked the idea of including old friends, people who could help connect the vast array of dots echoing the group’s hazy history. One of the first people they introduced to the filmmaker was Roland Sheehan, a musician friend from Dubach, Louisiana. Back in the mid 1960s, Sheehan was in a band, The Alliance, managed by long time Residents’ producer, Hardy Fox, with both sharing an acquaintance with the then unnamed Residents. Making a notable appearance in the film, Roland describes his involvement in the band’s formation; and, after a lapse of several decades, the group was happy to reconnect.
During a family visit to Louisiana a few months later, one of The Residents was having lunch with Roland Sheehan when the subject of the blues came up.
He casually mentioned the band’s interest, and subsequent frustration, but the conversation quickly moved on and the musician forgot about it… but Roland didn’t. A few weeks passed before The Residents received an unexpected call; excited, Sheehan mentioned the group’s long stalled blues project and said he had an idea. In the mid 1970s, a few years after he spent the summer enabling the emerging Residents, Roland met Alvin Snow, an albino blues singer he worked with for a short time. According to Sheehan, he formed a band with Snow and recorded several demos for Jewel Records, an indie label owned by Stan Lewis, a well known record shop and label owner in Shreveport, Louisiana.
Excited by the demos, Sheehan and Lewis renamed the singer Dyin’ Dog, and were organizing Snow’s first performance when the albino suddenly disappeared, leaving nothing more than a lingering sense of unfulfilled promise in his wake. Over the years, Roland Sheehan had forgotten the Dyin’ Dog demos – until his recent lunch meeting. Stimulated, he searched through boxes, files and cabinets in the abandoned Dubach movie theater where he had practiced in the 60s and 70s with both the Alliance, his band, and Dyin’ Dog’s group, the Mongrels, until he finally found the long lost demos. Timid and visibly nervous, Sheehan was offering the frayed and forgotten Dyin’ Dog 45s to The Residents as inspiration for their forlorn blues project. Surprised and skeptical, the group hesitated; reluctant to disappoint their friend, they saw little hope in a stack of dust covered fifty year old recordings, but the path of creativity is seldom straight and often unseen, until…
Amazed at the quality and intensity of the ancient recordings, The Residents were completely blown away. While the fate of Alvin Snow, aka Dyin’ Dog, will undoubtedly remain a mystery, the validity of his songs is unchallenged. Consequently The Residents feel compelled to give the lost bluesman’s music the exposure it so obviously deserves.
With the support of Psychofon Records, on Sept 28, 2019, The Residents are sponsoring the release of a boxed set containing the long lost Dyin’ Dog Demos. In addition, the band is already hard at work re-creating their own versions of Alvin Snow’s songs for their next album, Metal, Meat & Bone – The Songs of Dyin’ Dog – to be released in February of 2020.
A – Bury my Bones
B – River Runs Dry
A – Die! Die! Die!
B – Pass for White
A – Hungry Hound
B – The Dog’s Dream
A – I Know
B – Tell Me
Record 5 A – Mamma don’t go B – Blank
Val Denham with Farmacia – The Devil Knows Your Name Now
The Devil Knows Your Name Now was originally meant to be a solo Val Denham project, but eventually I had so much musical input from Ariel and Diego Sima, of the Argentinian band Farmacia, that I felt that I should add their name to mine as the joint creators of this album. Why do I work with Farmacia? Because they are brilliant collaborators, which means that they are a pleasure for me to work with. They can play their instruments much better than I can. And by instruments, I mean real instruments such as trumpets, piano and traditional acoustic instruments. They also play synthesizers and other modern electronic equipment. They have an innate understanding of my shadowy melancholic undertones and my need for artistic experimentation.
I usually begin each song with a rhythm track and add some synthesizer so that I have the basic structure and feel for the compositions, then I ask Farmacia to make their important additions. I tell them how I feel it should sound; this is the complex bit, as we will do countless alternative takes until it sounds just like it does in my head. We get there in the end, but it is a long and intricate process and they are endlessly patient and always professional with me. I really wanted this album to be beautiful. I wanted to sing as well as I could this time.
I think that this one might be considered a concept album. The tracks and their order all seem to connect to each other, starting off with the psychotic yet optimistic track Dust Devils Spin on Mars with its extended jazz opening.
Gradually The Devil Knows Your Name Now becomes darker, from the heat of the desert to the darkest doubts of the subconscious and murder. This is to illustrate the metaphorical idea that The Devil Knows Your Name Now. It poses the question, what did you do that was so wrong? How did it all go so bad? Will you be redeemed in time?
-Val Denham, 2019
Val Denham with Farmacia – The Devil Knows Your Name Now
01 – Dust Devils Spin on Mars
02 – Francis Farmeresque
03 – Everybody loves me now
04 – Bride of the atom
05 – Poison from the far side
06 – Apple Tree
07 – Angel of Death ( instro )
08 – Dear Louise
09 – Venus Castina
10 – Black Dahlia
11 – Night will cover you
12 – Here comes the Storm
13 – The Devil knows your Name now
14 – I’m so Shallow
We are very excited to announce that Val Denham, musician, painter, transgender royalty and best known for her cover work for Marc Almond, Marc and the Mambas and Psychic TV has teamed up with Psychofon Records. The new recordings were created in cooperation with polish Wave legend Cezary Ostrowski (Bexa Lala). The new 45 rpm 7“, Hello Angels / Water, (Psychofon PR026) is expected at the end of June. More info coming soon …
Val Denham – Hello Angels/Water 7″ – created in cooperation with Cezary Ostrowski (Bexa Lala) Available on black or limited edition transparent blue vinyl.
We are very excited to announce that Val Denham, musician, painter, transgender royalty and best known for her cover work for Marc Almond, Marc and the Mambas and Psychic TV has teamed up with Psychofon Records. The new recordings were created in cooperation with polish Wave legend Cezary Ostrowski (Bexa Lala). The new 45 rpm 7“, Hello Angels / Water, (Psychofon PR026) is now available!
Soon to be available on CD in a special foldout packaging and limited to 100 copies: A brand new album from The Black Lennons! Expertos en Mí, their follow up to the 2017 release Sebas y Conrado: Trabajo Fino y Delicado has them approaching new and more intangible subject matter.
A scream in a forest of ..paper instances? Speeches that are confused with car horns. The Process, the Ministry building of Mogamma, the prayers. Expertos en Mí (“Experts on me”). A subconcius slogan. A drawing of gentlemen with a raincoat and hat that seem to spy or perhaps expire.
Again a record with several interlaced stories, both subjunctive and derivative. “Experts on me” who have no idea. Because nothing, absolutely nothing is relative.
And going to the concrete, in this ever changing formation of this group of a fixed member, the songs are composed by Julen Palacios and performed by Adrián Ceballos on drums and himself with the collaboration of Silvia Grijalba singing in “Mogamma”. It is recorded by Miguel Lorenzo at Influx Rds.
Seasons Greetings, one and all! This is the time of year for celebration and here at Psychofon Records Headquarters we are gearing up for a holiday! We will be on vacation from 21 December – 31 December. As a result, all orders placed during that time will be shipped on 1 January 2019. All standing orders will be shipped on or before 20 December.
UFO Hawaii remixed a track from BeNeFiT in celebration of the LP release! They’ve also released an intensely good album earlier in 2018 by the name of Telekrümmer. Check out UFO Hawaii’s remix of BeNe GeSSeRiT’s Bon Bon! You can stream the track right now, or download it here. BeNe GeSSeRiT’s new LP BeNeFiT is out 20 December! Don’t miss out!